Filmed live on April 17th. We’ve used 4 SONY HD cameras, AVMATRIX video switcher. All camera and audio techs are volunteers in the church and not professionals.
Blackmagic CC 6k pro with Sigma’s 18-35. The topic of faith formation is so broad and our talent had so much to say that the real challenge was corralling it into a shorter video.
This video was created for our worship opening for Easter 2020. We were in lockdown and no one was coming to worship. It was shot with a Cannon T6 and edited in Premier. Nothing special. We made this film for a 2022 sermon series called Seven. It portrays John the Apostle exiled on the island of Patmos as he writes the seven letters to the churches from Revelation 2-3. We made seven different films (same visuals, different voice over) for the seven different letters. For the visuals, we used the Red Komodo with a 18-35 Sigma photo zoom. It was…
I wanted to create an intimate feeling like a mother reading the Christmas story to her daughter, but I wanted it to feel like she was also reading to me (as a viewer) I wanted to make it feel intimate (all of the shallow depth of field) as well as a bit warmer than usual to give us all of the warm feels during Christmas time. Sony a7iii Sony 50mm 1.8 Aputure 300d with a globe
One human project. I decided the night before shooting this that we should have a banner for our Ash Wednesday Service and that it be a cool video idea too. Shot on a hand held DLSR Sony A7 III, with some tripod work. This video has a shakiness / raw element that brings some humanity to the project and is also the outcome of trying to make the banner and the video at the same time while trying to keep the camera clean from my ash covered hands.
This was our video for Easter 2022 service. We made this to support the sermon for our senior pastor’s vision for Easter Sunday. With a crew of only 2 and one actress, we set across the country to bring the film to life. We faced snow, desert, and mountains to get the shots we needed. We knew we wanted a beautiful, unique look and lens character to further the emotional impact of the story. This was shot with an Arri Alexa Mini and Kowa Prominar Anamorphic lenses to fully capture the beauty and space of where we were located. Our…
This project was shot over the course of a few days in Lake Charles, Louisiana with the mission of getting people to go on a Crisis Response mission trip. It was made to be played in our mission focus month of February. Jon Peake conceptualized the project, shot it, and edited it. Notice the drone shot going through the ladder rack of the truck, how you see it was how it was shot. Gear Used: Sony a7iii caged with diety shotgun Zoom h5n sennheiser lav. rode go Dji Mini2